Tales of the Lavender Menace
Karla Jay, who edited one of the anthologies in which my work is published, wrote this memoir of her radical lesbian activism in New York in the '70s. It was published in 1999, but I just got around to reading it because of my renewed interest in the lesbian community through the L Word and because I made connections with young queer bloggers who made me aware that there was still a queer consciousness worth paying attention to.
Karla's book gave me new respect for my predecessors in her very readable and deftly analyzed account of what is now classic queer history, from the Stonewall rebellion to the consciousness raising groups in the feminist movement. Karla herself introduced consciousness raising to groups in Los Angeles and played a key role in getting lesbians recognized in the male dominated gay liberation movement. She was one of the founders of The Lavender Menace, a group that was responding to the attempt to suppress the presence of lesbians in the women's movement. There are some famous characters like Rita Mae Brown, portrayed from her early appearance demanding that lesbians be recognized in the women's movement.
Karla integrates her own coming out/coming of age story, beginning within the context of her dysfunctional family in New York City. Her nutcase of a mother spices up the narrative as does her anecdotes of her sexual adventures, her student lifestyle, oddball roommates, beloved cats, and the occasional live-in lover. But what she gave to me was confirmation that there was once a radical sensibility in the movement, one that asked for much more than assimilation into mainstream institutions like marriage and the army. One that envisioned a radical restructuring of family and relationships and community.
I resonated with how she used her sexuality to connect with women before really knowing them. I admired the ballsiness of the political actions they carried out and realized the significance of what they were doing. This was the history that had preceded my coming out. One that I was already poised to rebel against because it didn't fit my idea of lesbians as mysterious femme fatales informed more by Marlene Dietrich and the movie Cabaret than the women's movement, plus the influence of my matriarchal family with its own brand of feminism. It wasn't until the emergence of lipstick lesbians that I felt I could return to the lesbian community.
Karla's book gave me new respect for my predecessors in her very readable and deftly analyzed account of what is now classic queer history, from the Stonewall rebellion to the consciousness raising groups in the feminist movement. Karla herself introduced consciousness raising to groups in Los Angeles and played a key role in getting lesbians recognized in the male dominated gay liberation movement. She was one of the founders of The Lavender Menace, a group that was responding to the attempt to suppress the presence of lesbians in the women's movement. There are some famous characters like Rita Mae Brown, portrayed from her early appearance demanding that lesbians be recognized in the women's movement.
Karla integrates her own coming out/coming of age story, beginning within the context of her dysfunctional family in New York City. Her nutcase of a mother spices up the narrative as does her anecdotes of her sexual adventures, her student lifestyle, oddball roommates, beloved cats, and the occasional live-in lover. But what she gave to me was confirmation that there was once a radical sensibility in the movement, one that asked for much more than assimilation into mainstream institutions like marriage and the army. One that envisioned a radical restructuring of family and relationships and community.
I resonated with how she used her sexuality to connect with women before really knowing them. I admired the ballsiness of the political actions they carried out and realized the significance of what they were doing. This was the history that had preceded my coming out. One that I was already poised to rebel against because it didn't fit my idea of lesbians as mysterious femme fatales informed more by Marlene Dietrich and the movie Cabaret than the women's movement, plus the influence of my matriarchal family with its own brand of feminism. It wasn't until the emergence of lipstick lesbians that I felt I could return to the lesbian community.